I don't think it's paranoia: people really do look at me weird when I walk down these mean NYC streets. But listen - they've got cause. If I happen to have my iPod on, then I am singing along with a lot of force but with zero sound. Like, I'm really feeling the music, it's touching my soul, I'm rocking out with my non-existent cock out, and I am singing along, but I'm actually mute, so all I can do it mouth the words with a lot of feeling. If my hair has chosen to misbehave that day, well then, it's time to get disapproving looks from my lovely Latin ladies. Also, I have extraordinarily sweaty eyelids, which means that unless I've applied an industrial grade mix of powder and eyeshadow that day, chances are pretty high that my eyeliner will have smeared all over the place, leaving me looking like a junkie straight off a three day bender of the good isht.
These days, though, I think the weird looks are directed less at me and more at my new-ish toy, the Fuji Instax camera Kim Jong-Illmatic gave me to cure my analog photography blues. It looks like a Polaroid camera (kinda), it sounds like a Polaroid camera, and it produces instantaneous photos with a technology you'd think people have never seen before.
It doesn't help with the people-staring-at-me-all-weird business when I abruptly stop at street corners to capture random scenes. My current obsession are late summer/early autumn celestial-architectural silhouettes, both because they're pretty (I think) and because they're pretty hard to mess up, but mostly because I tend to take them between 4pm and 6pm, that magical hour where the skies above New York City are straight out of a fantastical painting.